Shopping Basket

Your basket is empty.

 

Adverts

Just Venus Flytraps

IDD Software

Real Bronzes

 

▼ GALLERY ▼

PayPal Accepted

The Service

I can offer a mould making service to sculptors and individuals who wish to produce copies of their work. Moulds can be used to cast plaster replicas of the original piece or to create wax patterns that can be used in the lost wax process for producing a bronze.

I can make simple one piece moulds or more complex multi-part moulds. I generally use silicon rubber or latex to capture the detail of the piece and use a plaster mother mould for support. If the sculpture is large then a stronger fibre glass mother mould is used instead.

The cost of this service is dependent on the size and the complexity of the sculpture used. Larger more complex pieces will either require the mould to be made of a number of parts that fit together like a 3 dimensional jigsaw or for separate moulds to be made for different sections of the sculpture. For example limbs and items that are distinct, very long or distant from the main body of the sculpture many need to be moulded separately.

If you are interested in this service please send me an email through the 'Contact' page in the first instance briefly describing the piece, its size and what you will be casting into the mould when it is complete. Please include your contact details and preferred method of communication and I will get back to you with a price.

 

Mould Making Process

A mould is usually constructed of two layers or the outer and inner mould. The rigid outer mould contain the softer inner mould, which is the exact negative of the original model. The inner mould are usually made of latex, polyurethane rubber or silicone, which is supported by the outer mould. The outer mould can be made from plaster, but can also be made of fiberglass or other materials. Most moulds are at least two pieces, and a shim with keys is placed between the pieces during construction so that the mould can be put back together accurately. The process below describes the constroction of a two piece silicon rubber inner mould supported by a 4 piece plaster mother mould

•  Building A Wall. A wall of clay is built around the original which forms the line where the two halves of the mould can come apart (Fig 2). The positioning of this wall is critical, as the mould has to be able to come away from the original and later the wax copy easily without getting stuck in crevices and deep undercuts. Dimples are cut to form bumps in the mould that lock the two parts together precisely.

•  First Silicon Rubber Inner Mould. The upper part of the silicon rubber inner mould is applied. When cured it is trimmed to form a neat edge (Fig 3).

•  Upper Mother Mould. The plaster mother mould is then applied over the silicon mould (Fig 4). In this case I made the upper part of the mother mould in two parts. As it would have been impossible to remove it off the tail if it was just one part. Dimples are cut into the plaster to. This allows the two parts of the plaster mould to lock together accurately.

•  Removal of Wall and Cleaning. The piece is turned onto its back and the clay wall is removed. You can now see the bumps that have formed around the edge of the mould by the silicon that had flowed into the dimples cut into the clay wall (Fig 5).

•  Second Part of Inner Silicon Mould . The lower part of the silicon rubber inner mould is then applied. Firstly as a runny layer that easily gets into all the crevices (Fig 6). Then as a thickened layer to build up the thickness of the mould. Again the silicon is trimmed and dimples cut around the edge of the plaster mother mould (Fig 7).

•  Lower Sections of Mother Mould . The lower part of the mother mould is then built in the same way as the upper part (Fig 8). Again the lower part was constructed in two sections for ease of removal.

•  Removal of Original . The sections of the mould are then separated and the original removed. The mould is cleaned of bits of clay and put back together with the entrance pointing up. Elastic bands are used to hold the parts of the mould in place (Fig 9).

•  Pouring the Wax. Wax is then poured in and sloshed around. After a couple of minutes, depending on the size of the mould , it is poured out. This process can be repeated a number of times to build up the layers of wax coating the inside of the mould.

•  Removal of Wax Copy. When the wax has cooled, the mould is taken apart and the hollow wax copy removed (Fig 10). The wax copy is then used in the next stage - ceramic shell application and casting.

 

bronze sculpture wax pattern
Fig 1. The original in oil clay.

bronze sculpture ceramic shell
Fig 2. Wall is constructed in water clay.

Bronze sculpture wax burnout
Fig 3. First part of silicon rubber mould applied.

Bronze sculpture crucible
Fig 4. First section of plaster mother mould.

Bronze sculpture casting
Fig 5. Second part of mother mould applied. Sculpture turned over and wall removed.

bronze sculpture shell removal
Fig 6. Initial layer of second part of silicon mould.

bronze sculpture shell removal
Fig 7. Second part of silicon rubber mould complete.

bronze sculpture shell removal
Fig 8. Third part of plaster mother mould applied.

bronze sculpture shell removal
Fig 9. Completed mould tidied up and ready for wax.

bronze sculpture shell removal
Fig 10. Mould opened revealing wax copy of original.